What Pills Did Marilyn Monroe Take? What Caused Her Death?

The Netflix film Blonde, which is based on the life of Marilyn Monroe and directed by Andrew Dominic, gives a glimpse into her personal life.

Looking at her friendship, marriage and emotional struggle before she died. Monroe has a lot of emotional problems towards the end of her life, due to which she turns to drugs and alcohol. Even his famous career is hurt by this. The film also shows how drugs contributed to her tragic death at the age of 36. We learned more about the pills Monroe took in real life as we became interested in what was going on in her life. Let’s talk about what we found!

Marilyn Monroe
Marilyn Monroe

What pills did Marilyn Monroe take?

Marilyn Monroe’s fame as an actress also led to many other changes in her life. In his book, “The Secret Life of Marilyn Monroe”, J. Randy Taraborelli wrote that he thought Monroe might have been addicted to sleeping pills as far back as 1953. Taraborelli’s book says that even when she was with Joe DiMaggio, Monroe “couldn’t sleep without pills.” By 1960, his doctor, Ralph Greenson, was giving him a drug called Nembutal, which is a barbiturate. Barbiturates are sedatives and hypnotic used as depressants to reduce neurotransmitter levels. Nembutal is used to help people who have trouble sleeping.

“The doctors gave her (Monroe) what she wanted, new and stronger sleeping pills. Although they were well aware of how dangerous it was. According to Taraborelli’s book, Monroe’s third husband, Arthur Miller, said of the same thing, “there were always new doctors ready to help with her death.” Dr. Howard Merkel, a medical historian, says that Monroe also took drugs like amytal, sodium pentothal, seconal, phenobarbital, etc. In addition to methamphetamine, Dexedrine, Benzedrine, Dexamil, Morphine, Codeine, Percodan and Librium, there were also. these other drugs. There was room for drinking in his life as well. Markel says the actress has had sleeping pills, sedatives, soporifics, tranquilizers, opiates, “speed pills” and sedatives to make you sleepy.

According to “The Secret Life of Marilyn Monroe”, Monroe gave herself injections of phenobarbital, nembutal and seconal, which she called the “vitamin shot” towards the end of her life.

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What was the cause of Marilyn Monroe’s death?

On August 5, 1962, his body was found at his home in the Brentwood neighborhood of Los Angeles. Next to his bed were found his empty bottle of sleeping pills and fourteen other empty bottles of pills. Thomas Noguchi, who was then the deputy coroner, performed his autopsy on the same day and found him to have died on August 4, 1962. Toxicology tests showed that Monroe had died from taking too many barbiturates. According to Donald Spoto’s book “Marilyn Monroe: The Biography”, she had “eight milligrams of chloral hydrate and four and a half milligrams of nembutal” in her blood, and “thirteen milligrams, a very high concentration of nembutal” in her liver.

Nembutal and chloral hydrate, when taken together, form a deadly cocktail because they both make the other drug stronger. Dr. Merkel says that Monroe used to help them both fall asleep by drinking champagne. Maybe this is what caused his death. There are differing views as to whether or not Monroe killed himself. Psychiatrists at the Los Angeles Suicide Prevention Center helped the Los Angeles County Coroner’s Office investigate her death. They came to the conclusion that he either killed himself or took the chance to die. Prosecutor John Minor, who worked on the case, did not think the actress had killed herself.

1944–1948: modeling and first film roles

In April 1944 Dougherty was sent to the Pacific Ocean, where he would remain for most of the next two years. Monroe moved in with her husband’s parents and began working at an arms factory in Van Nuys called the Radioplane Company. At the end of 1944, she met photographer David Conover. The First Motion Picture Unit of the US Army Air Forces sent her to the factory to take photographs of female employees to cheer them up. Even though none of her photographs were used, she quit her job at the factory in January 1945 and began modeling for Conover and her friends. In August 1945, she moved away from her husband, who was away at war, and signed a contract with the Blue Book Model Agency.

The modeling agency thought Monroe’s body was better suited for pin-ups than high fashion, so she was mostly in commercials and men’s magazines. She straightened her hair and dyed it blonde so that she was more likely to get the job. Modeling agency owner Emmeline Snively said Monroe quickly became one of its most ambitious and hardworking models. By early 1946, she was on the cover of 33 magazines including Pageant, US Camera, Laugh and Peak. Monroe occasionally worked as a model under the name Jean Norman.

Monroe is sitting on the beach with a smile and her arms behind her back. She has bikini on and wedge sandals on.

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Monroe as a pin-up model on a postcard from the 1940s

In June 1946, Monroe got a job at an acting agency through Snively. After her interview at Paramount Pictures did not go well, Ben Lyons, a 20th-Century-Fox executive, gave her a screen test. Head Executive Darryl F. Zanuk did not like the idea, but they offered him a standard six-month contract so that rival studio RKO Pictures would not sign him. [d] Monroe’s contract began in August 1946. She and Leon chose the name “Marilyn Monroe” for their stage name. Leon chose the first name because it made him think of Broadway star Marilyn Miller. The last name was the maiden name of Monroe’s mother. In September 1946, she split with Dougherty, who did not want her to become an actress.

Monroe’s first six months at Fox were spent learning acting, singing and dancing, and watching how movies were made. In February 1947, his contract was renewed, and he was nominated for Dangerous Years (1947) and Scuda Who! Hey Scuda! (1948). The studio also housed him in the Actors Laboratory Theatre, an acting school that taught the techniques of group theater. She later said that it was “my first taste of what real acting can be like in a real drama, and I was shocked.” Even though she was very interested in acting, her teachers felt that she was too shy and unsure of making a career in it. In August 1947, Fox did not renew his contract. She went back into modeling and also did odd jobs in film studios, such as working behind the scenes on music sets as a “pacer” to keep leads on track.

Marilyn Monroe
Marilyn Monroe

In 1948, a publicity photo of Monroe was taken

Monroe really wanted to be an actress, so she kept going to the actors’ lab. She had a small part in the play Glamor Preferred at the Bliss-Hayden Theatre, but after a few shows, it was over. She went to producers’ offices, befriended gossip columnist Sidney Skolsky, and hosted Powerful Men in Studio shows, which she had begun doing at Fox. Fox executive Joseph M. Schenk, who persuaded his friend Harry Cohn, the chief executive officer of Columbia Pictures, to sign her in March 1948.

Monroe’s look was modeled on Rita Hayworth in Columbia, and her hair was bleached to be platinum blonde. He began working with Natasha Lytes, who was the head drama coach at the studio. Lytes was his teacher until 1955. Her only film in the studio was the low-budget musical Ladies of the Chorus, which came out in 1948. In this, she played the role of a chorus girl who was first in love by a rich man. in a leading role. He also tried out for the lead role in Born Tomorrow (1950), but his contract was not renewed in September 1948. The next month, Ladies of the Chorus came out, but it didn’t do well.

1949-1952: Years of Progress

Monroe in the movie The Asphalt Jungle. She is wearing a black dress and stands at a door, facing a man in a trench coat and a fedora.

Monroe in The Asphalt Jungle (1950) was one of the first films that attracted critical attention.

Monroe went back to modeling when her contract with Columbia ended. She did an advertisement for Pabst Bears and posed as “Mona Monroe” in artistic nudity for the John Baumgarth calendar, which was Tom Kelly’s name. Monroe had previously posed for artists like Earl Moran without a top or bikini, so she was used to being naked. Shortly after leaving Columbia, she met Johnny Hyde, the vice president of the William Morris Agency. He took her under his wing and made her his mistress.

Because of Hyde, Monroe got small parts in several films. Two of these films, Joseph Mankiewicz’s All About Eve (1950) and John Huston’s film noir The Asphalt Jungle, were critically acclaimed (1950). Even though she was only in the second film for a few minutes, she was mentioned in the photoplay, and her biographer Donald Spoto says that she “effectively went from movie model to serious actress.” In December 1950, Hyde signed a seven-year deal with 20th Century-Fox for Monroe. The terms of the contract stated that Fox could choose not to renew it every year. A few days later, Hyde suffered a heart attack and died. It was very sad for Monroe.

Monroe had small parts in three Fox comedies that were fine in 1951: “As Young As You Feel,” “Love Nest,” and “Let’s Make It Legal.” Spoto said that in all three films, she was “basically a sexy jewel”, but critics liked her: Bosley Crowther of The New York Times called her “Fantastic” as Young as You Feel and Ezra of the Los Angeles Daily News. Goodman said. She has been called one of the “brightest up-and-coming” [actresses]”In the Love Nest.

His popularity among the audience was also increasing. She was receiving several thousand fan letters a week, and the Army newspaper Stars and Stripes called her “Miss Cheesecake of 1951”, showing what soldiers in the Korean War loved. In February 1952, Monroe was named “Best Young Box Office Personality” by the Hollywood Foreign Press Association. Monroe had a short relationship with director Elia Kazan. She also had short relationships with directors Nicholas Ray and Yul Brynner and actors Peter Lawford and Peter Lawford. In early 1952, she began dating retired New York Yankees baseball player Joe DiMaggio, who was one of the most famous people in the game at the time.

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